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REVIEWS FOR Masters Meian-ryu, Kimpu-ryu, Tozan-ryu, Ikuta-ryu, Kikusue-ryu : Japanese Masterpieces of the Shakuhachi

CD REVIEW

Japanese Masterpieces for the Shakuhachi is one of those rare discs that takes over the mind and body, filling the room with an unearthly mist of sound. The timbre of the bamboo flute on this release can be shrill and penetrating in the upper registers, mellow and breathy in the middle, thick and dark in the lowest reaches. The use of quivering tremolos at climactic moments and well-paced dissonance's that add a foreboding sense of mystery are fully exploited by the indigenous masters of this Buddhist-inspired music. The performances are so convincing that you get the feeling these artists aren't just musicians symbolizing the unknown, but actually calling it forth. An obvious hiss may summon you back to earth once in a while, but the instruments still come across with vitality.

- Linda Kohanov, 4/90

Rhythm Music Magazine

The shakuhachi (vertical bamboo flute) was sometimes used in Gagaku, but the music on LYRCD 7176 is associated with the four or five schools of largely solo styles of the Fuke sect of samurai. The starkness of the melodies is decorated by microtonal ornamentation and changing timbres, which can quickly move from shrill overblowing to breathy worbling to mellow sustained tones; when two or more shakuhachis combine, beats created by deliberately "out of tune" unisons add further variety. Small details such as these are the main focus of the music, which amply repays repeated listenings.

-Steve Holtje, 3/94